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• This sophisticated piece of software turns your computer into a modern, State-of-The-Art spectrum analyzer giving you features that go far beyond the possibilities of any stand-alone hardware unit.
• 

:: New in this Version 2007

• Level Balistic DIN 45406
• musical notes detector
• 1/3, 1/6, 1/12, 1/24 Octave frequency displaying
• dBFS and RMS Peak Level Meter
• Weighting filters dB(A), dB(B) and dB(C)
• 48000 hz audio stream
• wide screen compatible
• Correlation percentaged labels
• Correlation Meter (giving you information about the the mono compatibility of a stereo and a Surround signal) you also can make easily Phase Check with this tool...
• Displaying in 1/3 Octave and FFT (31,2048 Bands)
• Decay settings (Display speed) for the Spectrum in the Octave Mode, the FFT Mode and one for the VU-Meters
• Big Window (to have a full screen of the spectrum) see screen shot...
• Multi Mode Support. Switch between 4 Stereo Devices easily with the Keys (Ctrl & F1 - Ctrl & F4). So you can analyze the input for Alesis ADAT, 8 Track Recording and any Multi Channel recordings...
• Use it like a DirectX Plugin with Wave Clone

:: The Basic Module

• EQ suggestion -for realtime and wave-mpeg modus
• Convert Wave files to Mp3 files settings from 32 up to 320 bit/sec
• Tap Delay calculator- display for full, half and quarter Beats
• improvement to calibrate the generator output
• Sound Check without a Band
• Phase Check

• Wave recording for the line in and the mic input
• Mp3 player to analyze Mp3 files (Mp2, atx)
• Two Peak Level Labels that give you control of the highest amplitude
• Peak hold option
• Generator leveling calibrated to 1/100 of a dB.
• Mp3/Wave Tools like:
• A Normalize function for wave files, Codec to convert Mp3 back to wave files,
• Split Stereo Wave file into 2 Mono files, Swap left with the right channels

:: Correlation Meter:

The Correlation Meter provides information about mutual phase-frequency relations between the signal of the left and right channel and allows us to spot any possible irregularities. These 'irregularities' may not have any significance in the case of stereo playback, but it should be remembered that the material we record can also be played as a mono signal (for example, on TV or on one of the radio stations which are broadcast or received in mono). We can not emphasize enough how important it is that your final mix is as close as possible to your intended mix. Of course you will have to spend some time with the program to learn how to read the indications of the correlation meter. Correlation with percentaged values.

In this Settings dialogue all parameters of the correlation settings are to the user for individual attitude at the disposal.

:: AVERAGE in X : Here the time constant for the averaging of the correlation criterion is stopped. In the example shown above 6 values are averaged and spent then. With the next run the last value is then overwritten with the new. The adjustment possibilities are enough from 1 to 49. Consider thereby that high values are to be read off beautifully slowly, but fast changes of the correlation degree in the announcement are lost.

:: Interval in ms:
Here you can stop the time periods, in which the next in each case measured value is switched to the announcement.

Multi Mode Support. Switch between 4 Stereo Devices easily with the Keys (NUMBER PAD1 - 4). So you can analyze the input for Alesis ADAT, 8 Track Recording and any Multi Channel recordings...

NUMBER PAD1 = DispayDriver 1 & 2
NUMBER PAD2 = DispayDriver 3 & 4
NUMBER PAD3 = DispayDriver 5 & 6
NUMBER PAD4 = DispayDriver 7 & 8

Use it like a DirectX Plugin with Wave Clone

:: The EQ Suggestion Module

The Eq suggestion provides equalizer settings on a 1/3 octave equalizer that will optimize the sound under "ideal studio conditions". Eq suggestion provides settings for the Equalizer faders to make the Sound (Input) linear.

The SA will allow the user to actually observe the holes or the overlevels(highs and lows) as a function of frequency. The user may easily copy the fader settings to an actual 1/3 EQ hardware unit.

Minor adjustments may be necessary as this process does not take into account any of the natural acoustics that are inherent and unique to each studio or listening area. If the user saves the results from Eq suggestion, then loads the file into the Graphic Equalizer 2.0, the data will set up the EQ automatically.

There will be a audibly noticeable difference between the original source and the revised signal due to the equalization process.

:: The Tap Delay Module

Tap Delay calculator- display for full, half and quarter Beats

:: Sound Check without a Band module

This section of the program offers the ability to make sample measurements of the frequency response of a performance area, without actually having the artists present. It may be utilized to set approximate EQ levels during the setup process. This will help reduce the typical last minute hassle of waiting for the musicians, performing a sound check, making required adjustments, redo the sound check…

:: The Wave Player module

The Wave Player allows you the opportunity to load a pre-recorded Mp3/wav files and run an analysis of the data. All data contained in your sampling will be shown. Any changes made to the sampling rate will be automatically detected by the Spectrum Analyzer. The Locator is very practical when you work with big Wave files.

:: The Generator module

The built-in generator allows the correct calibration between Analyzer and the line-in signal. Generator leveling calibrated to 1/1000 of a dB.

:: The Generator module

The built-in generator allows the correct calibration between Analyzer and the line-in signal. Generator leveling calibrated to 1/1000 of a dB.

:: Background module

You can load a frozen Spectrum as Background for better comparisons.Opportunity to select three various colors to make clear the difference amplitudes.

musical notes detector

:: What are the frequencies of musical notes like G and G# in k-hertz?

What are the frequencies of musical notes like G and G# in k-hertz?

The answer to these questions is easily determined mathematically, but a bit of background should help the student use the mathematical relationships with confidence and understanding.

A piano keyboard is set up in octaves. Each octave has thirteen notes, with the thirteenth being the beginning of the next octave as well. Starting with A, an octave is A, A#, B, C, C#, D, D#, E, F, F#, G, G#, and again, A. The interval between each two successive notes is called a half-step. Therefore, there are 12 intervals of a half-step forming what is called an octave.

For starters, each octave up or down represents a doubling of frequency. For example, the A above middle C on the piano is set to the standard value of 440 Hz, so the A an octave above that has a frequency of 880 Hz.

Now, the particulars. The half-step is the smallest interval recognized in Western musical theory. Further, the frequencies of musical notes on a standard piano are now set according to a standard method, called 'equal temperament tuning'.

Side notes: Tuning systems cannot be treated in detail here. In short, there is a tradeoff in using equal temperament in that all harmonies are very slightly imperfect , but this method brings the overwhelming advantage over its predecessors that music may be written in any key with equal harmonic quality for each.

Bach largely popularized equal temperament and demonstrated its effectiveness with his series of pieces in all keys known as 'The Well-Tempered Clavier'. The equal-tempered tuning method's development is fascinating from a historical perspective (both scientifically and musically). The other methods of tuning and the whole nature of harmony, based on overtones of fundamental frequencies, with overtone frequencies determined as multiples of the fundamental frequencies, deserves further attention by the interested reader.

Back to our original story. In this equal temperament system of tuning, the frequencies of notes on a keyboard are related by a fairly simple mathematical relationship involving the number of keys (half-steps) between the notes.

To determine the relationship between the known frequency of a note and the unknown frequency (wished to be known) of another note, multiply the known frequency by 2 raised to the power (#ofhalf-steps/12). (#ofhalf-steps) is positive if one must move UP in frequency to arrive at the note with the unknown frequency, and negative if DOWN.

For example, if the A above middle C is set to 440 Hz (which is standard, usually called A440), the G just below it would have a frequency of 440 Hz * 2^(-2/12), or about 392 Hz. The G# in between them would have a frequency of 440 Hz * 2^(-1/12), or about 415.3 Hz. The G# an octave below middle C would be 13 half-steps below A440, giving it a frequency of 440 Hz * 2^(-13/12) = 207.65 Hz.

Note (pun intended) that the equation checks out with the previous assertion that octaves have factors of 2 differences in frequencies. Recall that there are twelve half-steps traversed in an octave: 2 ^ (12/12) is 2, while 2 ^ (-12/12) is 0.5.

:: Skin module

You can choose between 14 different skins, to make you personal Spectrum Anlayzer outfit.

Check in the Main Menu the Preference item, there you find "Spectrum Outfit". When this dialog comes up you can choose between 14 different skins.

ALL the buttons and the form style change automatically.

:: Short Key's

F1 = FFt Display
F2 = 1/3 Octave
F3 = 1/6 Octave

F4 = 1/12 Octave

F5 = 1/24 Octave

Space = Start or Stops the Line In displaying

NUMBER PAD 1 = DispayDriver 1 & 2
NUMBER PAD 2 = DispayDriver 3 & 4
NUMBER PAD 3 = DispayDriver 5 & 6
NUMBER PAD 4 = DispayDriver 7 & 8

NUMBER PAD + = Fullscreen

NUMBER PAD - = Normal screen